By Jordan Geiger (eds.)
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Extra resources for Entr’acte: Performing Publics, Pervasive Media, and Architecture
Retrieved June 9, 2014. 3. Mark Weiser, “The Computer for the Twenty-First Century,” Scientiﬁc American. September 1991. 4. Mark Weiser and John Seely Brown, “Designing Calm Technology,” Xerox PARC 1995. 5. For a discussion of some origins to this term, see Adam Greenﬁeld, Mark Shepard, and Architectural League of New York, Urban Computing and Its Discontents (New York, NY: The Architectural League of New York, 2007). 6. Manuel Castells, The Informational City: Information Technology, Economic Restructuring, and the Urban-Regional Process (Oxford, UK; New York, NY: B.
7. : 7. 8. : 127. 9. Harrison Rainie and Barry Wellman, Networked: The New Social Operating System (Cambridge, MA: MIT Press, 2012): 181 10. See the special issue-length collection, for example, in May Kyle, ed. Clog: Data Space (New York, NY: Clog, 2012). 11. For a review of some of the excellent literature on this, see Marcus Foth, From Social Butterﬂy to Engaged Citizen: Urban Informatics, Social Media, Ubiquitous Computing, and Mobile Technology to Support Citizen Engagement (Cambridge, MA: MIT Press, 2011).
The utopian and dystopian will invert one into the other without even switching places. The aspiration to the comprehensive “content management” of everything that lives inside its fold drives the City platform to open and close, to centralize and decentralize, over and back again, instituting control though the universality of its interfacial protocols, and vice versa. It may be that the agonistic logics of the political—drawing lines between friend versus enemy over and over—make it more difﬁcult to see how the technical achievements of constituencies that we might oppose may form to basis of the real alternative systems we seek to design.
Entr’acte: Performing Publics, Pervasive Media, and Architecture by Jordan Geiger (eds.)