By Philip Collins

ISBN-10: 0333619544

ISBN-13: 9780333619544

ISBN-10: 1349235458

ISBN-13: 9781349235452

'One of the simplest social commentators on Dickens...models of ancient scholarship.'- Gertrude Himmelfarb, unusual Professor of heritage, urban collage of latest York. This vintage of Dickens feedback, now in its 3rd version, presents a desirable perception into Dickens's considering and writing on crime. notable in personality, in addition to literary ability, he displayed a smart perception into the legal personality, while not easy difficult consequences should you broke the legislations. At one level interested in a profession as a metropolitan Justice of the Peace, Dickens became as a substitute to fiction and came upon there an outlet for his enduring fascination with the darker facet of human nature. Thieves, cheats and murderers humans the pages of his novels, few of that are with no a few severe crime. however the remedy of crime for Dickens was once way over an authorial equipment: it was once a focus for his deep hindrance with social difficulties and performed an important function in his try to comprehend those ills. Dickens and Crime is still essentially the most major and illuminating reviews into Dickens's artistic mind's eye, and its reappearance in print could be warmly welcomed through students and basic readers alike.

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Thus, at one point he adds a footnote in the 1 839 edition: 'The regulations of the prison relative to the confinement of prisoners during the day, their sleeping at night, their taking their meals, and other matters of gaol economy, have been DICKENS AND CRIME all altered - greatly for the better - since this sketch was first published. ' This footnote seems, however, to record a change in Dickens's views as much as in the prison regime, for the passage in the essay to which it refers hardly suggests that he was critical of the arrangements he was describing.

18 As his penological opponents of later years complained, his accounts of the prisons he visited were dangerously impressionistic, because of this disregard for statistics and other such dry but necessary details. He may often be defended, however, for doing as perceptively as he could what he was best equipped to do: statistics, memoranda, and measurements were not his line, and many lesser men could and did provide those in plenty. A more striking deficiency in this early Sketch, compared with his later prison passages, is the absence of a penological point of view.

There was one young man sketching his face in a little note-book. He wondered whether it was like, and looked on when the artist broke his pencil-point, and made another with his knife, as any idle spectator might have done. In the same way, when he turned his eyes towards the judge, his mind began to busy itself with the fashion of his dress, and what it cost, and how he put it on. There was an old fat gentleman on the bench, too, who had gone out, some half an hour before, and now come back. He wondered within himself whether this man had been to get his dinner, what he had had, and where he had had it; and pursued this train of careless thought until some new object caught his eye and roused another.

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Dickens and Crime by Philip Collins


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