By Charles S. Singleton
Charles Singleton is likely one of the most vital students of Dante, and compiler of the well-known six-volume annotated bilingual version in a literal translation, a collection that used to be praised via Vladimir Nabokov. during this early research of the poem, Singleton examines how Dante taken care of his parts.
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Extra resources for Dante's Commedia: Elements of Structure
Only , there are two ways of going about it. On the one hand , you criticize 'false applications': false morality , false knowledge , false religions , etc. This is how Kant , for instance , thinks of his famous ‘ Critique': ideal knowledge , true morality , and faith come out perfectly intact. On the other hand , you have this other family of philosophers who subject true morality , true faith , and ideal knowledge to comprehensive criticism , in the pursuit of something else , as a function of a new image of though t.
Forces are rather impersonal flows of energies or intensities , and their effects totally depend on the way they are compollnded within a particlllar field. As sllch they can either inhibit and prevent critical thOllght 0 飞 on the contrary , increase the critical power. Take for instance Delellze's example of the two types of idiots in philosophy and literatllre: On the one hand , there is Descartes' idiot (Eudoxos) who doubts particular oplnlÜns and prejlldices bllt maintains the fürm of rational discollrse; on the other hand , there is Dostoyevsky's idiot , who tentatively calls the fonn of rational discollrse itself into qllestion.
By 'common sense' he does not sirnply mean a con1mon hun1an understanding confirrrlÍ ng a set of opinions that people have in common and agree upon. Instead , Deleuze uses the term 'c Olurnon sense' (0 1' sensus conununis) in the 32 The Dogmatic Image ol Thought way Kant defines it in the Critique of the Power ofJudgment (CJ ~20 and ~40). 1n the Aristotelian tradition ‘ CO lTlmOn sense' is defined as an inner mental faclllty that recognises in the given manifold of sensory data , sllpplied by the external senses , the identity of one common object.
Dante's Commedia: Elements of Structure by Charles S. Singleton