By Kjerstin Aukrust

ISBN-10: 3631632983

ISBN-13: 9783631632987

Assigning Cultural Values is a suite of 13 essays concentrating on the research of cultural price in mild of aestheticization or aesthetic practices. Reflecting the end result of the study Council of Norway’s accomplished programme for cultural learn (KULVER), this anthology stories cultural phenomena now not as static dimensions, yet fairly as elements enthusiastic about negotiations and exchanges. by means of studying the approaches during which aestheticization is widespread, the individuals convey how the experience-based, relational, and perceptual features of assigning cultural values come into concentration. all the essays bargains precise views at the price given to various cultural phenomena, through targeting their traditionally changeable features, their reciprocal relationships, and their connection to social contexts and tool. Drawing on case reports from the fields of cultural background, aesthetics, literature, movie, gender reports, paintings heritage and thought, layout historical past, and museology, the gathering presents a wide-ranging and multifaceted research of the way the task of cultural values is modified, displaced, transferred, and bought, and should hence curiosity all researchers and scholars in the box of humanities.

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American Technological Sublime. : MIT Press, 1994. Pauwels, Luc. ” In Visual Cultures of Science. Rethinking Representational Practices in Knowledge Building and Science, edited by Luc Pauwels, 1-25. Hanover, NH: Dartmouth College Press, 2006. Rancière, Jacques. The Politics of Aesthetics. London: Continuum, 2004. Root-Bernstein, Robert. “Do We Have the Structure of DNA Right? ” Art Journal 55, no. 1 (1996): 47-55. Sawchuk, Kim. ” In Wild Science: Reading Feminism, Medicine, and the Media, edited by Janine Marchessault and Kim Sawchuk, 9-23.

20 Examining the dissemination of medical images to the public, she shows how the multifaceted interactions between medical imaging technologies and cultural ideologies have brought about a collective cultural fantasy of the body as transparent – that is, as both visually accessible and possibly controllable. With a similar approach, Kim Sawchuk has pointed to how inner body voyages, exemplified by the science fiction film Fantastic Voyage (directed by Richard Fleischer, 1966), evoke the pictorial and discursive rhetoric of the sublime, including dramatic changes in scale, as well as spectacular technology and dan16 17 18 19 20 Arnfinn Bø-Rygg, ‘Sunday in Breadth’, in Aesthetics at Work, ed.

Sawchuk, Kim. ” In Wild Science: Reading Feminism, Medicine, and the Media, edited by Janine Marchessault and Kim Sawchuk, 9-23. London: Routledge, 2000. Sekula, Allan. ” In Thinking Photography, edited by Victor Burgin, 84-109. London: Macmillan Press, 1982. van Dijck, José. Introduction to The Transparent Body: A Cultural Analysis of Medical Imaging. Seattle: University of Washington Press, 2005. Wingate, Richard, and Marius Kwint. ” Nature Reviews Neuroscience 7 (2006): 745-752. Accessed July 19, 2010.

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Assigning Cultural Values by Kjerstin Aukrust


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